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Sculpture in the Age of Doubt (Aesthetics Today)
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From Library Journal
In a series of dense, thoughtful essays on sculpture and sculptors from Duchamp to today, McEvilley (art history, Rice Univ.) argues that the dissolution of belief and trust in this century--the rise of skepticism and doubt about universal truth and common assumptions--is reflected in the interdependent development of sculpture and postmodern theory. He is at his best in showing this interdependence in the works of individual artists such as Jannis Kounellis, Lucas Samaras, and Louise Bourgeois, but the reading will be hard going at times for those not deeply immersed in postmodern critical theory. Still, McEvilley does look at the works of art, which ground his discussion, and the essays do reinforce one another in the end. Recommended for academic collections supporting graduate art studies.-Jack Perry Brown, Art Inst. of Chicago Lib. Copyright 2000 Reed Business Information, Inc.
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Review
"As painting was the paradigm for Modernist theory, sculpture is its counterpart for post-Modernist practice. But where the spirit of Modernism was reductive, post-Modernism's is expansive, radically opening the concept of sculpture up, and reinventing sculptural aesthetics. McEvilley has succeeded in seeing our present period of art history synoptically and at the same time in great detail. The book is an essay in speculative art history and in intensely focused critical concentrations on some of the major sculptural figures. That makes it a most valuable guide for the perplexed which means all of us who endeavor to make sense of the moment and its monuments." -- Arthur C. Danto"McEvilley's book is at once a survey of Modern sculpture and an insightful examination of several particularly challenging contemporary sculptors. There is no other book that traces the changing conception of sculpture in the twentieth century." -- Donald Kuspit
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Product details
Series: Aesthetics Today
Paperback: 448 pages
Publisher: Allworth (August 1, 1999)
Language: English
ISBN-10: 1581150237
ISBN-13: 978-1581150230
Product Dimensions:
6.2 x 1 x 9.2 inches
Shipping Weight: 1.3 pounds
Average Customer Review:
3.7 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#396,714 in Books (See Top 100 in Books)
Without a doubt McEvilley is one of the best thinkers of the contemporary art. One of the more appealing characteristic of his writing is the fearless confrontation between our current art and the ancient thought. That confrontation set the stage for assessing the sculpture is our new era of doubt ... the post-Modern world.
I was really hoping that this book would be an insightful and pleasurable look at sculptural production in our current generation. What SITAOD gives us is a REALLY great first chapter that recaps postmodernism in a way that I haven't seen yet. Honestly, the first chapter is the only chapter you need to read. After that, everything falls by the wayside as Mc-Boring goes ON and ON trying to academically validate his claims. And here's where things go wrong... Not only does the author use a formulaic and overly structured approach to validating his claims (one that we all learn to rewrite with every essay in art school), but his choice of artists after Duchamp is neither relevant or contemporary to sculpture being produced TODAY...In all fairness, and as I said before, the first chapter was really good, but after that, I was disappointed and bored out of my mind. The author makes some good claims, but fails (like most art historians) to tie things back into what is actually happening now, but maybe that wasn't the point... perhaps this is just another tome dedicated to keeping tenure.
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